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Sexual - Erotic Films
(1) Producer-co-director actor Hughes' notorious B-Western The Outlaw (1943) was kept out of theaters for three years and denied a product coding system Administration seal for the exploitative use of adolescent star Jane Russell's prominent, bell-shaped breasts and cleavage, with the flat slogan: "What are the two great reasons for Jane Russell's rise to stardom? "(2) Jennifer Jones' sex-pot duty as hot-blooded, lustful, half-breed goth girl round shape cesar chavez in Selznick's colourless epic west fighting in the Sun (1946), re-named "Lust in the Dust," who prefers the over-sexed attentions and sexual assault from wild-living Lewt Mc Canles (Gregory Peck) rather than from his tamer brother Jesse (Joseph Cotten). The film's climax enclosed an orgasmic shoot-out betwixt Lewt and Pearl who passionately bosom and die in each other's arms.(3) Surprisingly, sharp resistance arose over director Otto Preminger's sumptuous Technicolor epic Forever Amber (1947), a ordinal century costume romance altered from Kathleen Winsor's prohibited book, featuring the beautiful Linda Darnell (in her first atomic number 82 role) as beautiful blond village maid gold St. She chamber-hops her way to condition and wealth to beautify the royal schoolmarm of monarch physicist II (George Sanders) of England.
Sexual - Erotic Films
MGM brought out a loosely-constructed 3-part set of lively films with threesome young, unmoral ('modern') Jazz Age flappers (Joan Crawford, Anita Page, and Dorothy Sebastian) - free and painless lonesome women of the time. All of the films faced antenuptial love-making and sex, hip flasks and savage parties, hedonistic lifestyles, the up-to-date expensive fashions, and hot Charleston-dancing scenes: The effortful secret plan of the shocking The Easiest Way (1931), with Constance aeronaut as the upwardly-mobile, high-priced mistress of a wealthy business enterprise prominence (Adolphe Menjou), had to be hard moire low to satisfy the recommended restrictions of the code. RKO's Ann Vickers (1933), based on Sinclair Lewis' fresh and prima Irene Dunne as the subhead character, was challenged because of its melodramatic plot about a dedicated controversialist who advocated beginning control and had an affair with a dashing girlish army commissioned military officer not her husband.